Boat Safety begins not with oars, but with determination and courage. Each vessel, port and starboard, must be deemed seaworthy. Each sailor in aforementioned vessels employ must be judged by a court of the deep seas as being buoyant and intrepid. For every barnacle accounted, there must be a jib, pulley, and aft. When the nigh winds howl at ye wooden leg, a boat safety expert must welome them not with merely a grimace, but a defiant scowl, your good eye glistening with the grit of the anticipation of battle. To safely maneuver a boat from one channel to another strait, from these waters to those shores, from bay to bight to tomorrow’s evanescent anchorage, a true practitioner of boat safety must muster an unparalleled depth of knowledge of all things life preserver, choke, and mast. Unto each sail, may ye flap in safe waters, and unto each mooring may ye sway in safe harbor, for where the creed of boat safety travels, thereunto all men shall be safe boating.
The time comes every once in a while for a Boat Safety Films retrospective – and here it is! Today’s look into the past features the inimitable Dave Garlitz goofing off under the pseudonym Deek Slaghill. A burnt out legend of the esteemed rock and roll genre, Deek looks back into the past with little more perspective than a baked potato. What beautiful, hard rocking perspective it is though. As we look to develop new State of Rock episodes here at BSF, watch this initial ridiculous exploration with us.
Here’s a little song I wrote, you might want to sing it note for note, don’t…
…wait, that’s a Bobby McFerrin lyric, and meanwhile what I’m posting is an actual note I wrote to my mom some years back on an undated mother’s day. Although it is nowhere near mother’s day, she unearthed this gem from her archives, and after reading it over I decided that it needed to be shared for maternal posterity. So please enjoy this simple ode to all foreign mothers everywhere – except I am deeply sorry to inform all other immigrant children that my mom is, in fact, the neatest. (and coolest)
As always, it is a pleasure and a treat to film for the Tonight Show with Jimmy Fallon. Here’s a fab little sketch I worked on earlier this month parodying the popular Netflix series House of Cards. Jimmy plays the role of Frank Underwood, and hilarity ensues. Click here for part 2 of 2 to see the dramatic conclusion!
Today I made a little jest and wrote a humor piece about a Free Ikea Pencil. Useless as an item upon leaving the grounds of the Ikea store, the idea of somebody posting a listing for a free pencil and endorsing it heavily tickled my idea fancy. Sadly, the moderation and flagging team at Craigslist, where I posted it in jest, has found it inappropriate and since removed it. C’mon fellas! What’s the harm in a little fun?
As a testament to its existence, I’ve posted it in its entirety below. Enjoy, and please contact me if you’re interested, the pencil is still available.
This past spring, I had the opportunity to work on one of the most fun projects ever. During one of our routine silly singing sessions, my three year old daughter Mila improvised a song that would become an overnight hit amongst friends and family. Entitled “Everyone’s Bee is Important”, it was the absolute pitch perfect combination of irresistibly cute and dead-on perceptive. Amazingly, it even has a chorus. After the audio file had an overwhelmingly positive first run via email and text message, I decided that it would be a perfect voiceover to use as the basis for an original animation. A few trips to the cafe later, I had some preliminary storyboards up and running, and moved forward from there. You can only imagine my excitement when I found out that the finished movie would screen at the Lower East Side Film Festival, whose past and current judges include the likes of Susan Sarandon, Judah Friedlander, and Dana Brunetti. Regardless of the competitive nature and possible awards, I was thrilled in fact only to have the film show on the big screen, and allow a wider audience than the built in family network to have a chance to see it. That’s also when I started to become excited about bringing Mila to the screening! After putting the final stylistic touches on the film just days beforehand, I showed it to Mila at the kitchen table for the first time. She was thrilled! The very first thing she noticed was that there were some sounds other than her singing in the background of the movie. “What are those noises, daddy?” She asked, referring to the stellar sound design created by Carl Sondrol. Carl approached the sound for this short very organically, describing to me over the phone that he didn’t want to use any prefab sounds, and that every noise included would be recorded specifically for the film. Knowing Carl to be one of the most creative film-audio professionals I’ve worked with, I informed him that he had carte blanche to do as he pleased, and to make it as fun and creative as possible. In my experience, this approach yields the best results when working with trusted professional artists.
With the big day finally at hand, Mila and I packed up and got ready to go to the screening. We headed into Manhattan a few hours early so we would make sure to be on time, grab a quick bite of dinner, and mingle with our fans. Here are a few shots of the anticipatory subway trip to the big festival. It was a beautiful and sunny late afternoon when we arrived in the Lower East Side, but before the festival we had to grab a quick dinner to recharge our engines. Stopping in at a local Thai restaurant, Mila ordered her standby favorite of dumplings, and we shared a cool lemonade between the two of us. After arriving at the LES fest, which was being held that night at the Anthology Archives on 2nd and 2nd, we greeted the crew and went on in to inspect the theater (and stash our stroller in the back). Mila carefully explored the dark and cavernous screening room, making sure that we got the very best seats possible. This was Mila’s second time in a movie theater, the first having been several months previous to see the children’s animation festival at the IFC center. 2nd time at the movies to premiere your own film? Not bad…
As we settled in and the screening began, Mila kept excitedly asking when our film would play. A few shorts in, when the Boat Safety Films logo started to roll, she excitedly pointed to the screen and yelled out “that’s our movie!” And so it was. Soaking up the excitement of the moment, Mila’s eyes remained glued to the screen. The uproarious applause from the theatergoers after the title cards concluded brought the perfect touch to an awesome experience. After the screening was over, Tony Castle, one of the festival’s organizers, asked Mila and me up to the front of the theater for a short Q&A. I did most of the talking, but I got the funny feeling that I wasn’t the focal point of most of the attention. Siri Betts-Sonstegard, a festival-goer in the row behind us, snapped this shot of us watching the film.
After the screening let out, Mila and I posed for a few obligatory shots on the red carpet/step and repeat. What a perfect memento of a story-tale night. Strolling back to the subway in the crisp dusk, I told Mila that we had to start brainstorming our next project.
Watch the movie HERE